Fred Mungo

Tratto da "Table for One"/ “Table for One” is a visual exploration of the practice of eating alone, and how it relates to issues such as home-making, adaptation, and isolation.

Tratto da "Table for One"/ “Table for One” is a visual exploration of the practice of eating alone, and how it relates to issues such as home-making, adaptation, and isolation.

Beauty series. Ingredients: eggwhite, powdered sugar, edible coloring, lemon juice Creative director, hair and make-up: @olio.di.palma photo assistant: @lorenzopiacevoli styling assistant: @c.juliet.m model: @sofiagrandi thanks to: @studioferrari.3a

Outtake from @agostinoiacurci x @wrap_magazine studio visit, 2023

@wovo.education Sex toys recycling campaign, 2022

Research article for @lacucinaitaliana, @antropologadelcibo interviewing Filippo Boffo - specialist vet in the field of cow farming. 2022

Research article for @lacucinaitaliana, @antropologadelcibo interviewing Filippo Boffo - specialist vet in the field of cow farming. 2022

GIF tratta dal progetto 'Familiar Things' - un’indagine visuale che riflette sulla natura costruita della rappresentazione tradizionale della rappresentazione della famiglia e sull’interazione-conflitto tra le visualizzazioni di memoria individuale e collettiva. / These looping images, showcasing characters whose identity is barely identifiable, present frequently documented / highly cliché moments which are often video-recorded in the course of many family lives. While such stereotypical moments of family performativity would not be strikingly obvious in the overall context of a domestic movie, they become so when isolated and compulsively repeated, leaving to the viewer the feeling of “having been there” and unveiling their standardised nature. Zooming on crucial fragments of the body rather than on facial features allows the viewer to project their own history on the fragmented narrative. The gif is an extract of a larger series.

Immagini d'archivio e non tratte dal progetto 'Familiar Things' - un’indagine visuale che riflette sulla natura costruita della rappresentazione tradizionale della rappresentazione della famiglia e sull’interazione-conflitto tra le visualizzazioni di memoria individuale e collettiva.

Tratto da Good Boys - un progetto che dal 2019 osserva la relazione speciale tra umani e animali, con un interesse in particolare verso i cani. Il titolo deriva dall’espressione con cui, in inglese, ci si rivolge affettuosamente ai propri cani - Who’s a good boy? You are.